Studio Shoot - My Role

My role within the Studio Shoot was Digital Imaging Technician
This included:

• Ensuring a digital camera is being used to produce high quality images
• Understanding the ins and outs of digital cinematography
• Have a good eye for color
• Provide support for the camera team to ensure we deliver the best images possible

On the day of the pre-light I drew up my own schedule of the shot list, meaning I was able to have it on me at all times and see what shot would be coming up next. This meant I could sort out what equipment would be needed for the next shot and provide this to Jack, the camera operator. 

Being able to do this meant that as the camera team, we were on top of what we should have been doing and were very organized, so we didn't waste a lot of shoot time fumbling about with equipment and preparing for the next shot, as I was already organized.

I also worked closely with Jacob as DOP to oversee the shots and make sure they were framed correctly and the lighting worked with the color of the footage. We used an external monitor so we didn't have to get in Jack's way, but could also keep an eye on how the shots were looking. This was also handy for our director, Nina, to oversee everything being shot by the camera team.

The camera team also worked closely with Alice as she was in charge of lighting the set. As she set up the lights we monitored how they looked through the camera on the pre-light day to make sure everything looked good and the set was well lit.

Personally I think I worked well within the camera team and as a member of our studio shoot group. I took my role seriously and made sure to communicate efficiently with Nina on the day of pre-light so I could set up and organize the camera equipment so we wouldn't have any delays on the actual shoot days. I also think this role helped me to develop my camera skills and understanding of the equipment as I was constantly aiding the camera team. I definitely feel confident with the use of sliders, tripods and the shoulder grip now as they were the main pieces of equipment we used. I also think I learnt a lot from my peers in the camera team, Jacob and Jack, as they helped me to understand which lenses would be better for which shots, a decision I wouldn't have been to confident making myself. 

The studio shoot has definitely helped me to improve my camera skills, understand what it would be like working on set and how to get the best out of my role. I think the entire thing was a really good experience and I have learnt a lot from my role.

Avert Your Eyes // Maps and Networks Final Film & Mini Evaluation

FINAL FILM
(loops for 11 minutes in preparation for display)

Shooting

Our shoot day went surprisingly smoothly. We were really organized and made sure to keep to a realistic schedule throughout so we could obtain all the shots we wanted, whilst giving our actress regular breaks. Using equipment we were familiar with really helped to speed up the process as we knew how to use the camera to achieve the look we wanted, also Alice and I work well together anyway so we knew we would be able to manage the whole shoot.

Shooting the bath scene was the most difficult, as Alice had to get in the bath with the actress in order to get the angles we wanted. Not only was this a risk with the equipment and safety of both our actress and Alice, we also had to deal with the reflections of the camera in the water. To overcome all of this we made sure the camera was covered with the waterproof case and was strapped to Alice, so if she dropped it it wouldn't fall into the water. We also made sure before we began shooting in the bathroom that we had a clear idea of what we wanted to achieve so we could do it as quickly and as organized as possible.

Surprisingly we managed to get everything shot in one day, and we were happy with all the footage and the quality. This meant we could look at editing a lot sooner and also allowing us lots of extra time to reshoot if we needed to. It also meant we didn't have to worry about this project so much whilst dealing with the Studio Shoot.

Editing

We edited our film using Adobe Premiere Pro. As our film is a twin screen we decided to edit the two screens separately with audio and export them before putting both finalized screens into Adobe After Effects to compose the actual twin screen.

Whilst editing we faced a few issues. At first the audio wasn't loud enough, so we had to go into the settings and change that before exporting again. Then we realized that we hadn't adjusted the timeline in After Effects, so only half of our film had rendered and exported. We had to remember to duplicate the footage on the timelines so that our film would loop when being presented.

Presentation of Final Piece

With regards to the presentation of this final piece, Alice and I have requested to use the storage container box in the middle of the Quad at University. This is because it is an enclosed space which we could design to fit the theme of our film. We would like to paint the walls red and have some red carpet / rug, with the twin screens playing on two individual screens as you walk in, looping over and over. This is because we think it will add a lot of dramatic effect to the piece and really make people take the time to go and interact with our work. Also, as our piece features moderate nudity it allows us to avoid having to put a curtain or something over our work, which we would probably have to do if it was in a corridor.

Studio Shoot - Review and Evaluation

After much anticipation and planning, the days to shoot came around really quickly, and I'm pleased to say they went fairly smoothly. Everyone managed to fulfill their roles and work together as a team to make the shoot work as well as possible, as well as paying attention to time management to ensure we got everything wrapped up according to schedule.

PRE-LIGHT AND DRESSING OF SET
Everyone teamed up to make sure this day went smoothly, helping Ciara with the set design and following plans to ensure the set looked as planned. As part of my role I took copy of the shoot schedule, adding my own notes, so I would be able to prepare equipment for each upcoming shot, meaning there wouldn't be much delay between the shots. I did this for both days and it really did come in handy on my part making me more organized and allowing me to work more efficiently.
The pre-light was also a good opportunity for the camera crew to get to grips with the equipment and learn which lenses were better suited to each shot, also working with lighting to achieve the best looking shots.

DAY 1
We arrived in the studio at 8:30am to prepare for a 9am start. This meant setting up the camera equipment ready for the first few scenes and checking that we had the correct lenses and everything required. We managed to get a bulk of the shots filmed on this day, including some b-roll footage as well. We stuck to the shoot schedule almost accurately and with some shots not needing a lot of takes, we were often ahead of the timed schedule. 
Our actors felt comfortable on set and Nina and Ben ensured that they were being looked after and were taking the breaks they needed.
We used a slider for the first and last shots, but the majority of the filming was completed using a tripod or the shoulder rig.

DAY 2
As we had managed to capture most of the shooting on the first day, we were able to focus on the chase scene on day two, which was handy as we wanted to play around with different angles for this scene. Alice changed all the lighting to the red gel lights which aided the shooting and was completed smoothly. 
This day of shooting was a lot less hectic than day 1 as we only had a few scenes to focus on and were able to really focus on achieving the angles we wanted. We also experimented with a lot more b-roll footage that would aid us when editing.
We also had to undress the set once we had wrapped up for the day, which was easy enough as there was a lot of us around to spread out the work.

THAT'S A WRAP

Understanding the GH4 - Studio Shoot

Our group have decided that we want to shoot our film using the Panasonic Lumix GH4 camera. I decided to do some research into the cameras features and why it is beneficial for us to use. 

"The Lumix GH4 raises both moving and still images to a breathtaking new peak of quality. 4K video recording capability adds to the amazing potential of this camera for innovative image creators."

Some incredible features of the GH4 include:

• V Log L recording for precise color grading - meaning a wider dynamic range for color grading in the post production process

• Extended video recording time - ultra high bitrate video recording compared to its rival cameras, free to choose format of video

• High resolution and 4K video capturing - increasing definition to new standards

• Duel OLED displays - achieving a high speed response with minimal time lag whilst enhancing the resolution

• Contrast AF with DFD technology - the contrast AF system is advanced with the DFD technology (depth from defocus) which shortens the focus time, improvements benefit more as focal length increases

• Video creation to meet pro quality - meeting professional quality and standard with the capability of 4K video

• More professional video functions - zebra pattern, master pedestal, cinelike gamma, synchro scan, centre marker, color bars, 1kHz test tone, time code

Also, as I described in a previous post, after being inducted into the cameras we decided on using the GH4 as we know the new technology will benefit us not only in filming, but also in post production editing.

I think choosing to use the GH4 is a really good idea, not only because of the technology it offers, but also because we haven't used this camera before so it's a challenge to get to grips with it and produce a really good film using this camera. 

Treatment and Synopsis - Studio Shoot

Synopsis

Group A will be using Gregory Crewdson’s image ‘Basement’ from the Cathedral of the Pine series to create an abstract narrative based short film roughly spanning three minutes. Based off the saying ‘two sides of the same coin’ we shall explore a sibling relationship that harbours a sinister side. Through sweeping associative colour we aim to craft a piece that leaves the viewer to question, ‘how a combination of people could survive together’ before hopefully pulling the rug right out from under the viewer, with a reveal that requires a second re-watch to pick up on the context clues. Through experimenting with tension through sound, camera movement/ playback and colour we shall capture the rise and fall of sibling rivalry that dates back to Cane and Abel.

Cast

Girl

• Teenage
• Younger
• Stubborn

Sister is a 16-18 year old girl with similar features hair/eye colour to Brother (to be decided). While she loves the thrill and adrenaline of crime, she treats the whole thing like a game, which she always meticulously plans. Her brother is like a best friend and a father figure to her as she always wants to learn from his experiences but loves to wind him up to gain a reaction. Due to the big male influence in her life, she tends to act more masculine but is still more gentle in her movements, although her energy causes her to fidget and play around a lot more than the average person. She dresses in her brothers oversized shirts and her trainers are scuffed and tatty, but that’s what she is comfortable in and she feels more connected with her brother in his clothes.

Boy

• Older, early 20s
• Protective
• Channels passion/love through anger
• Serious

Brother is in his early 20’s and fiercely protective of his sister. He never wanted her to become what he has, but he is thankful for the company and the bonding that their activities bring. Growing up with crime he has always been told to never let his mask slip and he should always be strong and take charge, emotions shouldn’t be obvious, so when he tries to show his love or his happiness he either becomes crazed or angered. His jobs should always be taken seriously or else something could go wrong, which is where he comes to head with his sister a lot as she doesn’t understand the pressure and seriousness of the situations. As his sister is younger, he knows she doesn’t have as much experience as he does so he protects her and tries to shield her from becoming as emotionally undeveloped as he has.

Shot List - Studio Shoot

1.     Slow Pan/Wide Angle : Camera would slowly pan into the set

2.     Close- up/Right Pan: Close up of brother moving piece, would then pan round to show the reaction of sister

3.     Tracking Shot: Camera would start in close up of sister, then pan out as she does her move, then pan the left to show the chess piece being chucked at his face

4.     Mid Shot from right side of table

5.     Close up/tracking shot of face, then to hands as she pushes pieces off one by one

6.     Mid shot/ over head tracking from left side (brothers perspective), camera would slowly move towards the back of the character and climb above the characters head so we have a birds eye view

7.     Mid shot/ Centred shot: As the sister raises her eyebrows and takes king again.

8.     Overhead Close Up: Of chess Board and “Prizes”

9.     Mid shot/ Centred Shot : She takes M&M

10.  Close up: Of the packet and M&M coming out of packet

11.  Mid Shot/Centred Shot: As she chucks M and M in the air and cathes it with her mouth.

12.  Close Up: Of his hands tensing

13.  Overhead Close Up: Grabs Necklace

14.  Low Mid Shot: Of her fidgeting with necklace (Check Story board)

15.  Low Quadrant, mid shot: Of him looing nervous, in the background is a poster of a film (TBC)

16.  Mid to Close up/Centred shot: Of her noticing him looking nervous

17.  Mid Shot from right side: Of him reaching out towards her to get to her to put the necklace down

18.  Close Up: of her putting locket in her mouth

19.  Mid Shot/ Sideways Pan from left to right as she jumps over sofa to head to right corner  

20.  Mid tracking shot from behind the brother’s right shoulder: Sister in ball in the corner

21.  Wide/panning shot: Mirrors beginning but this time he is lounging on the sofa

22.  Close up: As you see him looking down he looks up at the camera, directly into it

Camera Induction

SAMURAI BLADE
External monitor and recorder
Gives more grading control in editing, will "pull out more" from the footage

SONY EX3
Camera
Can also have a zoom lens attached

LUMIX GH4
Camera

We have decided that we want to use the Lumix GH4 for our shoot, as it will be better fitted to our set and what shots we want to have. It's also really good in low lighting situations, which will be helpful in the studio if we are only using overhead lights or for close up shots.